Jazz lead sheet · Advanced

All the Things You Are

A tour of five keys built from root movement by 5ths, the classic test of a jazz musician's ears.

Composer
Jerome Kern
Form
AABA, 36 bars
Key
A♭ major
Style
Swing
Length
36 bars
View
Show
Practice

A♭ majorConcert pitchAABA, 36 bars

A1A♭ major
vi7F Aeolian
ii7B♭ Dorian
V7E♭ Mixolydian
Imaj7A♭ Ionian
C major
IVmaj7D♭ Lydian
ii7D Dorian
V7G Mixolydian
Imaj7C Ionian
Imaj7C Ionian
A2E♭ major
vi7C Aeolian
ii7F Dorian
V7B♭ Mixolydian
Imaj7E♭ Ionian
G major
IVmaj7A♭ Lydian
iiø7A Locrian
V7D Mixolydian
Imaj7G Ionian
Imaj7G Ionian
B
ii7A Dorian
V7D Mixolydian
Imaj7G Ionian
Imaj7G Ionian
E majorA♭ major
iiø7F♯ Locrian
V7B Mixolydian
Imaj7E Ionian
V7/viC Phryg. dom.
A3
vi7F Aeolian
ii7B♭ Dorian
V7E♭ Mixolydian
Imaj7A♭ Ionian
IVmaj7D♭ Lydian
iv7D♭ Dorian
♭VII7G♭ Lydian ♭7
iii7C Phrygian
♯ii°7B W–H dim.
ii7B♭ Dorian
V7E♭ Mixolydian
I6A♭ Ionian
iiø7/viG Locrian
V7/viC Phryg. dom.

For students

What to notice

  • Bars 1–5 fall in 5ths through A♭ major: vi–ii–V–I–IV (Fm7–B♭m7–E♭7–A♭maj7–D♭maj7).
  • The second A is the same pattern a 4th higher, in E♭ major. Each A section ends with a ii–V into a new key (C, then G).
  • The bridge moves through G major and E major. C7♯5 at the end of the bridge is V7/vi, leading back to Fm7.

Practice plan

Three steps to improvising

  1. Write the key of every bar above the chart: A♭, C, E♭, G, E, A♭.
  2. Play guide tones through the whole tune. Most of the time a single half step connects each chord to the next.
  3. Practise the bridge alone: G major, then E major a major 3rd below.

For teachers

Using this chart in class

  • Project the chart with Play along running and loop one section while students find the guide tones.
  • Choose Practice → Name the numerals for a whole-class quiz: students vote, then reveal the explanation.
  • Mixed ensemble? Print the worksheet once per transposition: B♭, E♭, F and bass clef parts all line up bar for bar.
  • Share a link: the key, instrument and view you choose are saved in the address bar.

Chord changes are common performance versions written out by Music Theory Lessons. No melodies or lyrics are reproduced. Names of songs and composers are used only to identify each tune.